"tree ring circus" - daniel prendiville

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  • GARAGEBAND reviews of:-

    Satanists * Ppan * Bewilderburg * Stuporstar * London * Schooldays * Robin * Impulse * Observer * Idlescent

     

  • "Jesus CHRIST, Prendiville! This thing took too fucking long to come out! Anyone who was on the "Tree Ring Circus" mailing list got weekly blow-by-blow accounts of how this album came about and it gave me a headache trying to come to grips with the exact detail and intensive labour that was put into it. It's a bloody good thing for him it was worth the wait or I swear I would have had a few things to say here. As it happens, it's another jewel in the independant pop-rock crown. Dan's name has always been associated with quality for those few who know his work, and "Tree Ring Circus" was meant to be and made to be a high water mark. Dan's music is simple and very influenced by 80's pop, and I don't mean the gunk a lot of people like to think of (big hair and all that), I mean this music has the smell of forgotten hits and misses from the period. It's clean and clear, a lot of attention paid to the drum programming and mixing. The chords and hooks really are simple, and are worked towards being catchy immediately. There's no skerrick of self-pity or macho psuedo-anger, pretentious philosophising or cutting-edge "irony". The lyrics are pithy and perhaps a bit too carefull, but work well. Their essentially story-telling, almost tracing a life from the awkward dystopia of "Schooldays" to the founding community of "Robin". He takes gentle aim at the unprepared in "Idlescent" and has plain fun with "Stuporstar" and "Satanists", both which have swing-tempo and knees-up singalong piano, walking bass lines and all. The main moodines is on "London" and one of my favourite song on this collection, "Observer". My other favourite is "Impulse", a very clever minimal rock track highlighting Dan's lovely Irish lilt and dry wit. This is everyday music for everyday people, and I mean that in the most positive way. No one is excluded, the listener is not treated like an idiot, Dan wants you to identify with his world." - The Taped Crusader - July, 2004

  • "80s pop music filtered through modern sensibilities via dodgy computers and a wonky microphone. It`s a really well done home studio project that that takes the poppy center of UK post-Romantic bands like Haircut 100, Spandau Ballet and ABC merge it up with some Andy Partridge/XTC quirk and hook-magic and tell R. Stevie Moore or the Breetles to come over to help finish it off.Translation: it`s a most unique sounding release. Curve balls like a Todd Rundgren "Idlescent" or the Mael Brothers/Sparks like "Satinists" abound to keep things consistently interesting. XTC via Pursuit Of Happiness can be found on "Impulse". We hear a lot of projects like this, but rarely are they as cool and captivating as "Three Ring Circus". There`s a `here it is, warts and all' spirit and charm that is refreshing and ends up making this one Highly Recommended for fans of DIY pop innnovation" - Not Lame

  • "Surprisingly light, charming and unaffected set of tunes. Surprising? Yeah, when you see fancy typefaces, arty type photography and tree-hugging sentiments decorating the packaging you kind of fear the worst, but no worries here. Stuff like “Schooldays” is easy on the ear and stuff like “Stupostar” runs a nice line self-mocking irony through a very cool, bounced up electro-pop jangle kind of tune that recalls “Rhubarb” as much is does the best of the top ten David Essex, even better is the mock mockney piano jingle that manages to drag both The Beach Boys and Wizard to the same party. So be clear, Daniel Prendiville can write quality stuff, the vox are of the easy, unstrained pop-sheen and it all goes by in a groovy blur, course, when you start picking up the lyrics it becomes even more fun, Daniel is a sarky and stylish wordsmith, so, all in all, a cracking album and “Bewilderberg” has got to be the pick of this litter, loopy tune as the sound of Macca on the smackka winds itself tighter and madder, larks. Check this guy out" - Unpeeled - January, 2005

  • "Prendiville’s unorthodox style is both interesting and infuriating. his smiley, hippy songs that bounce along like syd barrett with a yamaha drum machine make up this album full of clever wordplay and puns. although using modern references, such as e-mail and stalking, married to dated, beyond retro music, is a novel approach, it can start to irritate like a bad christmas single. By the end of the album you’re not quite sure if it’s a joke, and if it is, why isn’t it funny" - To Hell With - December, 2004

  • "Catchy, fun and sometimes quirky, mainly Brit-inspired New Wave/Glam guitar pop rock!...Littered with hints of early Squeeze, early XTC, and even a little Brian Wilson throughout!  EXCELLENT!!!" - Kool Kat Musik

  • "This is the first I've heard of Daniel Prendiville, and if Tree Ring Circus is any indication, I wanna hear more.  A fellow multi-instrumentalist, Prendiville is also a fellow practicioner of 60s Brit-pop, whether he's singing about old school days, or fallen pop idols. Satanists is a fantastic bouncy pop tune recalling some of McCartney's best tin pan alley songs for the Beatles, while Impulse has an 80s new-wave feel to it, complete with goofy space effects. But the real gem here is a track called London, which makes me green with envy every time I hear it.  This guy bleeds catchy hooks and choruses, and boy he knew what he was doing when he cooked up this tune.  Not only is the melody a killer, but so are the lyrics and the great horn section!  This is the kind of thing that would have been a smash hit for someone like Petula Clark, or Cilla Black.  Bravo!" - Cut and Paste